How should the film and television production industry talk about the spirit of contract?

How should the film and television production industry talk about the spirit of contract?
I like Shanghai because everyone abides by the rules and respects the rules of social game. Generally, we also take the spirit of contract and the rules of game as a higher ladder for society to enter civilization. However, in the film and television production industry, the spirit of contract really does not know where to start, because this kind of contract does not exist. On the bank of the Hudson River in New York, there is a child's grave, less than 100 meters from the tomb of the 18th President of the United States, Grant. Such a story is recorded on a wooden board beside the tomb: on July 15, 1797, a 5-year-old child fell down a cliff and died. The parents of the child were so sad that they built a tomb for the child on the cliff. Later, due to the decline of the family, the father had to transfer the land. He made a special request to the new owner: always keep the children's grave as a part of the land. [Chinese dubbing] The new owner agreed to the conditions and wrote them into the contract. 200 years later, this land has been sold to many families, but the children's graves are still there.
One thing this story explains is that if you agree, you must do so. This is a time ago when a friend of the same trade was chatting with me. He was very surprised or even surprised. Now, a big guy who has worked in Hangzhou for more than ten years in film and television, his first sentence is: I don't want to do it! ", In the traditional film and television production and service industry, we sell a non-standard service. There is no clear evaluation system for the project results from the early business negotiation to the signing of the contract. In other words, what the customer wants is not necessarily what we talked about before, but what we do is also based on our understanding of the project and the budget. It is ridiculous that the final result, Like a fan, no matter how powerful and experienced the producer is in time, it may also be that the customer scolded him when he handed in the film. What kind of rubbish is this? Then he began to communicate and modify again and again. Perhaps, the long-term emotional accumulation has made this senior I admire say such words. Perhaps, the long-term emotional accumulation made this senior I admire say such words. Contract, where should we start. [Animation dubbing]
There is one situation for 1000 customers. In contrast, the industrialization process of Hollywood, the apex of the film industry, has become the same thing that we do, but the mode of the industry is completely different. Although I am very satisfied with Chongyang * * This kind of thing has been sipping my nose, but learning from foreigners to control foreigners is also our ancestors' warning to us. In peacetime, although there is no need to fight with swords and spears, it is also very sad to see the chaos of this industry, Perhaps, to be eliminated by the times is to constantly compromise and abide by the rules. [English dubbing]
Embracing change may begin at the beginning of the year. Several of our peers are discussing the landing mode of the industrialization of film and television production. It not only undertakes the task of the industry, but also hopes that our professional, transparent and industrialized film and television production system can attract more people from the same industry to recognize and join (opportunities for advertising) until the front end time officially starts to run. For the Hangzhou Film and Television Alliance, it is selfish, I hope to have a broader influence. It should be a sad thing for people outside the industry to make changes in the industry (although such things happen in many industries). At the same time, the combination of peers can make greater and deeper changes, so that high-quality teams can live better! From network business to reasonably competitive industries.
Statement: This article is original and reprinted in part. If reprinted, please indicate the source and source. I am the editor of Voices100, a multilingual self-help live dubbing network