Cantonese voiceovers need to maintain the diversity of Cantonese voiceover styles

Cantonese voiceovers need to maintain the diversity of Cantonese voiceover styles

Different people have different timbres, and Cantonese voiceover staff can make their voices more diversified and diversified. Imagine that as a Cantonese voiceover, if the voice and timbre are the same, it is not conducive to their own development.

Cantonese voiceovers of characters in TV plays and movies need a lot of room to play, that is, Cantonese voiceovers should play multiple roles of Cantonese voiceovers. Different roles have different ages, occupations and personalities, so the requirements of Cantonese voiceovers themselves must maintain the diversity of Cantonese voiceover voices.

We often have Cantonese voice over personnel for films, other advertising voice over personnel and Cantonese voice over personnel for special films. Commercial Cantonese voiceover generally has no obvious boundaries. Generally, there are broadcasting professionals who can carry out commercial Cantonese voiceover work.

Cantonese voiceovers need to maintain the diversity of Cantonese voiceovers

  

Because most Cantonese voiceovers in advertising appear in the form of narration, Cantonese voiceovers need to adapt to the background of advertising products to modify and beautify the voice.

The most important thing for a Cantonese voiceover in a movie is to attract the attention of the audience.

Now the competition in the Cantonese voice over industry is also very fierce, and Cantonese voice over personnel need to consider how to broaden their own path. Find your Cantonese voiceover level. They usually need to listen to their own works, find their own shortcomings, correct errors in Cantonese voiceover, seek skill breakthroughs, and jump out of their own Cantonese voiceover inertia to improve the level of Cantonese voiceover.

The diversity of Cantonese voice over speakers' voices can ensure that they can play a better role in different Cantonese voice over manuscripts and fields. Different Cantonese voice over methods should meet different Cantonese voice over needs.

Therefore, it is necessary for Cantonese voiceovers to practice diversified voices. If Cantonese voiceovers want to develop better and try to develop in different areas of Cantonese voiceover, they need diversified voices.

As a fan of radio dramas, I also want to say why Lan's Cantonese voiceover is not Wei Chao.  

First of all, I agree that Lu Zhixing's voice upstairs is closer to Shaw's original voice. It turned out that the scandal of the confession made me decide not to read it, because I heard that Lu Zhixing's teacher also had a confession before I tried to read it. Then it was really delicious. However, if we knew in advance, we really didn't hear Wei Wuxian was Lu Zhixing. Obviously, Mr. Lu's voice was close to Seanshaw's original voice. Cantonese voiceover

Some people upstairs said that the Cantonese voiceover of the teacher in the "Chen Qing Ling" was not as good as that of the radio show, or that some of the treatments were not liked. I would like to say that it was for the sake of putting on a good face and coordinating with the performance and treatment of the characters in the drama version. What impressed me was that Wei Wuxian just came back from the mass burial post and quarreled with Lan Shuji for the first time, calling each other's names. The radio drama is a loud and angry Lan Forgot! However, the cry in the play is lighter, because what Xiao Zhan performs is obviously Lan Forgotten Ji, who shouts more coldly. If equipped with Blue Forgot! It would be very inconsistent! No matter which is better, each has its own interpretation. But I don't allow anyone to say that Mr. Lu is not well deserved

Statement: This article is original and partially reproduced. If reproduced, please indicate the source. I am the minor editor of Voices100 full language self-service live Chinese voiceover network