To "Voiceless" female voice actors: They should also be in the sunshine - 4

To "Voiceless" female voice actors: They should also be in the sunshine - 4
"In fact, this is also the voice actor's." It is also because the type of works is fixed and the core of the story is single. Many audiences' requirements for audio content remain at the surface of "beautiful sound line". It is easy to feel that the audience only likes this sound line when making signals. Therefore, no matter whether it is suitable for the role, all characters need to use the same sound line.
Sometimes, content producers rely too much on market choices, such as the popularity of Damei radio dramas and audio books. On the one hand, audio is the natural protective color of Damei, and radio dramas have unique features that cannot be replaced by other types; On the other hand, capital has tasted the sweetness in the field of beauty appreciation, and greatly boosted the output of this type of works.
But sometimes they are too bossy to hear what the audience needs. The best way is to listen and guide, type guide and core listening. "Flattering the public" is likely to lead to the solidification, homogenization and even loss of the original intention of the market content, because the upper limit of the audience's understanding of the content works is often opened by the creators, who have the responsibility to guide the audience to broaden their horizons and bring them to understand the new narrative methods.
Voice books and radio dramas should not only belong to beauty, but also to young and corrupt audiences. It can be extended along with the age of the audience and serve more young and old audiences. "The products that tell stories to children are often monotonous in form. The conclusion is that" this story taught us to XXXXX ". The middle-aged and old audience are storytelling or storytelling products, which have great development potential."Chinese voiceover
At the core of the story, the creators seem to understand the male image and masculinity that female audiences like, but they still have no grasp of the female image and spirit that female audiences are eager to see. Delicious human settings are not the story service tool of "Catching Little Three". From the forwarding and comments of "Banze Pearl" microblog, we can also understand the voice of female audience. What "they" need is not only the refreshing after surface venting, but also the story of women's independent growth and transformation. They do not rely on male power and do not worship male eyes.chinese studio
In the two-dimensional industry closely related to dubbing, as advocated by many industry leaders, experts and scholars, we need a local story rooted in our own culture, not a Japanese translation role under the Chinese face, nor the local spiritual core behind the Japanese painting style, but a Chinese story unified from the inside out.
The market and capital need excellent works and high-quality stories, so female creators, please.
Before the interview, I predicted some possible answers, but the truth is far greater than imagination. Some people may say that there may be gender differences in every industry, uneven distribution of benefits, and unequal treatment of "son preference" in the workplace. Indeed, as women, we need to unite and not use the keyboard to transfer malicious to other women.
Statement: This article is original and partially reproduced. If reproduced, please indicate the source. I am a minor editor of Voices100 full language self-service live dubbing network